Three fluorite elements and one XA (extreme aspherical) element reduce chromatic aberration and color bleeding, while two ED (extra-low dispersion) elements and a Nano AR lens coating further increase performance and image quality by reducing flare, ghosting, and spherical aberations while shooting in harsh conditions. BEST IN CLASS (TIE): Voigtlander 40mm f/1.2 Nokton Aspherical | Price: $1,059 I’m hoping that Sony will release a FE 400 F4 G to offer a moderately priced alternative – a stop slower but likely half the price. Let’s start with the bad news – this is one expensive lens. If I start there, what would you recommend for wider angle and telephoto on the other end to round out my kit. WIDER CHOICE: Venus Optics Laowa 12mm f/2.8 Zero-D Lens | Price: $949 For this price, I recommend the 85mm f/1.8 for any photographer who needs a versatile portrait focal length at a good price, which complements the size of a Sony mirrorless camera. Before we dive head first into the Sony lens reviews, it’s important to understand what all the letters in the lens name mean. Shot wide open at f/2.8, images are tack sharp, and this level of detail remains across its entire focal range. The lens is well built and balances very nicely on every E-mount camera. Reasonably Sized, Nicely Built, High Performing, Optical SteadyShot, Relatively Affordable. What about the Sony FE 70-200mm f/2.8 GM OSS lens ? Notify me of follow-up comments by email. Was torn between A7riii and A9. All FE lenses are compatible with the Sony a6000 series and all other Sony e-mount crop sensor cameras. I often shoot portraits at f/2, just to give myself a bit of leeway in case of missed focus. Plz…. Frog Eye Coating has been applied to repel dust and moisture from the front element of the lens when working in trying environmental conditions. BEST IN CLASS: Sony FE 400mm F2.8 GM OSS Lens | Price: $11,998 Colour rendition is excellent with the Sony 24mm f/1.8, and images are clear, vibrant and contrasty, but this obviously depends too on the camera used. It’s extremely sharp wide open at F1.4 with shallow depth of field and beautiful bokeh. Would love your thoughts on this. I wouldn’t want to drop it (obviously! However I am a little bit concerned about the auto focus, especially for fast moving subject. I plan to shoot fully manual. Fast budget-priced option for landscape, astrophotography and architecture. Offers half life-size 1:2 maximum magnification ratio and 4.3″ minimum focusing distance for working with close-up subjects. If portability is your primary concern the f/2.8 model is the best choice, but the lens I’m about to tell you about below is much better…. Optimized for macro and close-up portrait photography, this medium telephoto lens utilizes an aspherical element along with extra-low dispersion and super extra-low dispersion glass and Nano AR Coating that suppresses reflections for exceptional image quality. Full-frame E-Mount telephoto zoom lens with the versatility to stretch from true wide-angle to super telephoto perspectives. What would be your top 2 lens (or if you’re feeling generous, top 3). It is a versatile and fun little lens that is the perfect complement to a small Sony mirrorless body. This is the list of lenses I’d provide any friend who’d just invested in a Sony full frame or crop sensor body. Ultra Multi-Coating has also been applied to reduce flare and ghosting when working in strong light. Compact, fast telephoto zoom lens offers a f/2.8 maximum aperture ideal for shooting in low light and controlling depth of field. Razor sharp, great bokeh and lightweight. Those are all really great choices. Even on an APS-C sensor body like the Sony A6500, the 85mm f/1.8 feels good, although 127.5mm as a focal length (with the crop sensor conversion) is admittedly a little less versatile. At only 200 g and a truly pocketable size, I imagined this would be my ‘everyday lens’ for non-professional use, or the lens I’d attach to my new a7 III when traveling. BEST IN CLASS: Sony FE 200-600mm F5.6-6.3 G OSS Lens | Price: $1,998 There is the Sony FE 400mm f/2.8 GM OSS and the Sony FE 600mm f/4 GM OSS. Optical design includes low dispersion and aspherical elements to correct a variety of aberrations and a BBAR-G2 coating to reduce flare and ghosting. Oben CTM-2500 Carbon Fiber Monopod, BEST IN CLASS: Sony FE 600mm F4 G Master OSS Lens | Price: $12,998 It uses an ED element to reduce aberrations, as well as a nine-blade circular aperture for smooth bokeh. Enter the 24-70mm f/2.8 GM, which is super sharp, creates superb bokeh, and is extremely well built. All 3 lenses display fairly heavy corner shading at the maximum aperture, approaching –2Ev, and … Manual focus telephoto prime lens with fast f/2.0 maximum aperture for low light and shallow depth of field control. Not only is it one of the sharpest lenses ever made, it extends your focal range as far as you ever really need for portraits. If you can get close enough to the subject, the bokeh exhibited by the Sony 16-35mm f/2.8 is smooth and creamy, although to really maximise the effect, you’ll need to be shooting at 35mm. 200 g. Along with the aforementioned 35mm, the Sony 28mm f/2 was the second of 3 lenses I bought when I switched from Nikon to Sony this year. That kind of like asking should I buy a sports car or a SUV. In fact, I’d go as far as to say it’s my favourite lens for a crop sensor Sony body such as the a6000. Best Portrait E-Mount Lenses. ‘Sony A7 Series: From Snapshots to Great Shot’ is available NOW from Amazon and Amazon UK. Given this and your comments about the size and heft of the sigmas, (and I know this is a broad question as you don’t know my use case – but I am an avid hobbyist and shooting on travel, adventure trips, and an ongoing student of photography) any other lenses I should be looking at in the future? 225 g. I’ll finish this roundup with a little bit of a controversial choice. Sony FE 28 F2.0 Lens ($448 at B&H Photo | Amazon) DxO Mark Score: 40 | DxO Sharpness: 35. Sony A7R | FE 55mm F1.8 ZA | 1/4000 | F2.2 | ISO 200. Specifically designed for full frame Sony E-mount mirrorless cameras. Sony FE 100-400mm f/4.5-5.6 GM OSS which also works quite well with the Sony FE 1.4X Teleconverter if you need a bit more reach. Its optical design features Extra-low Dispersion glass elements which reduce chromatic aberrations and provide improved contrast. Rokinon AF 24mm f/2.8 FE Lens | Price: $399 what would you advise ? While I personally prefer the Bokeh and speed of the Sony FE 85mm F1.4 GM this offers a smaller, lower-priced option when F1.8 is “fast enough.”. What to add really depends how you shoot but since you don’t have anything over 85mm, I’d be inclined to add a longer prime. Whether you’re a wide angle lens lover or prefer to zoom in to your subject, the. Featuring a compact form factor well-suited for full-frame Sony E mount mirrorless cameras, the latest lens in the Loxia line-up is based on the Distagon optical concept for reduced distortion as well as consistent, even illumination and sharpness from edge to edge. Build quality is all-metal as to be expected from Carl Zeiss, and it’s a huge step-up from the plasticky kit lens. Incorporating an apodization lens element to create exceptionally smooth, rounded bokeh while maintaining tack-sharp focus on the subject. Discover our high quality range of over 40 interchangeable camera lenses including A-mount and E-mount lenses crafted for a range of shooting situations. Sony a7RIII +  28mm f/2 FE | © Gold Hat Photography. Wedding photographer or not, 35mm allows you to fit enough in the frame to tell the story, whilst at the same time being equally suited to shoot a solo portrait, group shot, landscape image, or anything else for that matter. But… always nice to have extra reach. Next, Sony FE 85mm F1.4 GM and FE 90 F2.8 Macro G OSS are both exceptional lenses, but only going to own three lenses I wouldn’t double down on the 85-90mm focal range. Voigtlander 40mm f/1.2 Nokton Aspherical and Voigtlander Macro APO-Lanthar 65mm f/2 Aspherical Lens are both on the upper range of ‘affordable’ but they’re worth every penny. The Sony FE 28-70mm F3.5-5.6 OSS is the standard kit lens for the Sony A7 full-frame compact system camera, and is also available separately for interested A7R owners. Whilst you could use the 35mm f/1.4 on a crop sensor body like the Sony a6500, I’d definitely recommend holding the camera+lens setup before making your purchase – the size/weight of the lens will dominate the camera, so could feel quite odd. Zeiss T* anti-reflective coating minimizes lens flare and ghosting for greater contrast. Super Multi-Layer Coating is applied to control flare and ghosting for greater contrast. There’s no doubt that this Sony 24mm f/1.8 is the best standard wide angle lens available for crop sensor Sony E mount cameras, but its price definitely isn’t for everyone. Finally the most-requested lens by our readers is here. Before anything else, this is the one lens every Sony mirrorless shooter should own. Sony a7RII | FE 24-70 F2.8 G Master at 35mm and 70mm | (CLICK TO ENLARGE). It also features a relatively compact size through the use of an f/5.6-6.3 maximum aperture range, and it is equipped with both a Direct Drive SSM autofocus system and Optical SteadyShot image stabilization for performance at all focal lengths. 886 g. If you want one lens that can handle pretty much any shooting scenario and produce clear, vibrant and sharp images with incredible detail, the Sony 24-70mm f/2.8 should be at the top of your wish-list. Sony A7R | Zeiss Loxia 35mm f/2 Biogon T* | 1/320 | F/8 | ISO 100. Hello Brian, your advice and perspective is truly valuable and appreciated. Sony FE 90mm f/2.8 Macro G OSS Lens. As for image quality, this is another f/1.8 Sony lens that really excels with its sharpness. I’d put the FE 85mm F1.8 at the very top of your list. While it’s not tiny, having a single lens that’s tack sharp with that beautiful bokeh makes it my favorite lens. 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